Paris becomes the backdrop for a story shaped by movement, attitude and contemporary menswear. During Paris Fashion Week, TheMenStyle brings together Louis Quentin and Trystan Barth for an editorial that explores the energy of the city through a modern, effortless and distinctly masculine lens.
Captured by Nicolas Wagner and styled by Deco Tajra, the story moves between Parisian architecture, street energy and the intimate details of fashion. Two distinct personalities, one city — where style is not simply worn, but lived.
Between the intensity of sport and the attitude of a new generation, Owen Lindberg stars in an editorial that turns the world of American football into a fashion statement. On the field, strength, movement and adrenaline. In front of the camera, a naturally cool aesthetic defined by confidence, attitude and effortless sensuality.
Bathed in the warm light of late afternoon, Owen takes on a new narrative • free, provocative and contemporary. Here, performance meets lifestyle, while the codes of sport are reimagined through a fashion lens.
Existe uma nova maneira de olhar para a moda masculina • mais livre, curiosa e, principalmente, menos preocupada em seguir regras.
Em COLOR PLAY, o TheMenStyle coloca em cena uma geração que entende a roupa como ferramenta de expressão e experimentação. Cores vibrantes, referências esportivas, maquiagem, volumes e contrastes aparecem juntos em uma narrativa leve, lúdica e cheia de atitude. À frente das lentes de Diogo Yanata, Elson e Pedro dão vida a essa ideia de juventude sem fórmulas, enquanto Everson Rocha traduz essa liberdade também através da beleza.
THE YOUTH ISSUE fala sobre essa liberdade de experimentar o novo sem precisar explicar demais. Uma juventude que transforma a moda em território de descoberta, brincadeira e expressão. Porque, quando não existem regras tão rígidas para seguir, talvez o mais interessante seja simplesmente brincar com todas as possibilidades.
Aos 18 anos, Francesco Di Tullio representa uma nova geração de artistas italianos que transita entre atuação, música e teatro. Conhecido por seu papel em Mare Fuori, o jovem milanês também encontra na moda uma extensão de sua personalidade, misturando streetwear, referências ao rock e à trap e elementos da alfaiataria italiana.
Nesta entrevista, Francesco fala sobre estilo, liberdade, música e a relação entre figurino e construção de personagens, revelando como diferentes influências ajudam a definir sua identidade dentro e fora dos palcos e das telas.
PHOTOGRAPHER: Nicola De Rosa @derosanicola PHOTOGRAPHER ASSISTANT: Umberto Pettazoni
STYLIST: Garigliano
STYLIST ASSISTANT: Mabrouk Sayah @mabrouksayah
GROOMING: Serena Palma @serenapalmaaa TALENT: Francesco Di Tullio @_francescoditullio
You are part of a new generation of Italian actors who also express themselves through music and theater. How does menswear help you communicate these different sides of your personality?
What my style says about me—or rather, what I love most about modern menswear—is that there are no longer any fixed rules. Fashion allows me to express every side of who I am: thoughtful and meticulous when I’m immersed in a script, yet free, instinctive, and unapologetically expressive when I’m performing a song. It’s both my armor and my purest form of freedom.
How would you define your personal style? Are there any wardrobe essentials you simply can’t live without? I don’t approach my style with a fixed plan. As I said, feeling free is what matters most to me. I couldn’t imagine giving up my jeans, relaxed deconstructed trousers, tank tops, fitted tees, comfortable unlaced boots, sneakers, or my baseball caps. They’re the pieces I always come back to because they feel like me.
Is there a current menswear trend that you feel best represents your generation?
One of the trends that best represents many people in my generation today is the Opium/Y2K Goth aesthetic, blended with the most extreme side of streetwear. Those of us who grew up on trap and rap embraced hip-hop style straight from the U.S., stripped it of its clichés, and reimagined it through a darker lens—black, charcoal grey, and punk-industrial influences. It’s an aesthetic that brings together worlds that seem completely at odds: the raw energy of distorted trap bass and the dark nihilism of avant-garde theatre.
Italy is recognized worldwide for its fashion heritage. Which aspects of Italian style have had the greatest influence on the way you dress?
Personally, I’m also fascinated by the idea of wearing formal tailoring in a casual way— deconstructed Armani jackets or tuxedos styled with T-shirts and sneakers. I love the tension between refined craftsmanship and effortless, everyday wear.
Do you find yourself incorporating elements from the characters you play into your everyday wardrobe, or do you prefer to keep your personal style separate?
When I’m working as an actor, I always follow the creative vision and the character guidelines set by the production. That said, there are two things I really enjoy. On one hand, whenever I can, I like to bring something of myself to a character—because the way we dress is often a reflection of who we are, of our personality. On the other hand, I also love the challenge of building a character who’s completely different from me, especially through clothing—wearing pieces I’d never choose in my everyday life.
Between classic tailoring and contemporary streetwear, which aesthetic feels more authentic to you, and why? Contemporary streetwear—especially the darker, more avant-garde side of it that’s closely tied to rap—is what I wear every day. But to me, neither world feels truly authentic on its own. Real authenticity exists at the exact point where they meet. At 19, balancing my life between film sets and the places where I perform my music, I’ve realized that choosing just one aesthetic would mean silencing a part of who I am.
You practice basketball and boxing. Has your active lifestyle influenced the way you choose clothing, fabrics, or silhouettes? No, my passion for sports has never had any real influence on the way I dress.
Your career spans film, television, theater, and music. Does costume design help you step into a character or performance in a different way? Absolutely. A costume is never just a costume. More often than not, it’s the key that unlocks a character, helping an actor discover and express their first defining traits. It becomes an essential part of the transformation, making it easier to fully step into someone else’s world.
Which fashion brands or designers are inspiring you the most right now, whether in Italy or internationally? I’m particularly drawn to brands with a more alternative aesthetic, like Dsquared2 and Diesel. At the same time, I really admire the design language of Armani and Burberry. In recent years, Burberry has done an incredible job of deconstructing its traditionally classic identity by introducing references to British punk—Daniel Lee’s latest collections are a perfect example of that.
Do you think men today feel more confident experimenting with colors, accessories, and different silhouettes than they did a few years ago? I strongly believe in my generation and in its pursuit of freedom: the ability to embrace colors, accessories, and personal expression.
When it comes to red carpet appearances, do you prefer timeless elegance or are you open to taking fashion risks? Personally, I gravitate toward a more minimal and elegant approach to style. However, if the professionals who curate my image recommended something more daring or unconventional, I would be completely open to it. I think I would have fun exploring that side of myself.
Your music blends rock, blues, and trap influences. Does that creative mix also shape the way you dress? Yes, several elements of my style draw inspiration from both rock and trap. I’m fascinated by the power of contamination and cross-pollination—the way different influences can come together, in music as well as in life.
Is there a particular garment or accessory that holds special meaning for you or has become part of your signature style? I would probably say sunglasses. Having light-colored eyes, I’m particularly sensitive to light, so they are something I wear out of necessity, but also out of pleasure. I love exploring different shapes, styles, and brands. Over time, they have become a defining accessory of my looks.
Looking at your upcoming projects, including Una piccola formalità, L’ombra, and your new Prime Video series, has any character’s wardrobe inspired your own personal style? In L’Ombra (Manetti Bros. — where I played Gammover), my character’s wardrobe was probably the closest to my own: urban, streetwear-driven, and very much in line with my personal aesthetic. The real opportunity to experiment with fashion, though, came with Magenta in Una piccola formalità: an international rock star whose image was built around the energy and style of Damiano from
Måneskin. So who knows—maybe one day you’ll see me in long skirts, open-knit tops, and colorful nail polish…
Finally, what style advice would you give to men who want to dress better while staying true to themselves? I would always suggest investing in garments made from quality materials, keeping in mind that true quality is not necessarily defined by the price tag.
Para celebrar seus nove anos, o TheMenStyle escolhe a Rua Augusta como cenário de uma edição especial que une moda, cultura e comportamento. Ícone da diversidade paulistana, a via inspira uma narrativa onde alfaiataria contemporânea, estampas marcantes e cores vibrantes traduzem a liberdade de uma nova geração.
Mais do que um pano de fundo, a Augusta representa o espírito de constante transformação que também define a trajetória do TheMenStyle. Entre arquitetura, história e criatividade, a cidade se torna protagonista de um editorial que celebra a moda masculina como expressão de identidade e evolução.
Há 9 anos, o TheMenStyle nasceu com o propósito de contar histórias através da moda masculina. Hoje, celebramos essa trajetória com o coração cheio de gratidão.
Nosso muito obrigado a cada modelo que emprestou sua imagem, personalidade e talento às nossas páginas, e a todos os fotógrafos, stylists, maquiadores, produtores, assessores, marcas e profissionais que fizeram parte dessa caminhada. Cada editorial, cada capa e cada projeto só foram possíveis porque acreditaram no nosso sonho.
Olhar para trás é um privilégio. É reconhecer os desafios, celebrar as conquistas e sentir um imenso orgulho de tudo o que construímos juntos ao longo desses nove anos.
Essa história está apenas começando. O próximo capítulo promete ser ainda mais especial, com grandes novidades, novos projetos e muitas surpresas para celebrar uma década do TheMenStyle.
Obrigado por fazer parte da nossa história. Nos vemos no nosso 10º ano.
Uma nova narrativa ganha forma através da presença e da identidade de Iago Botelho. Em um encontro entre moda, imagem e expressão, este editorial explora a força da autenticidade, transformando cada composição em um convite para enxergar além da superfície. Uma história visual onde atitude, estética e personalidade se encontram em perfeita sintonia.
Com uma atmosfera solar e o charme do modelo português Joel Conceição, este editorial traduz a leveza e a elegância do verão italiano, revelando um novo olhar sobre Milão durante a Fashion Week.
Milão é onde a moda ganha ritmo, identidade e novas narrativas. Durante a Milan Fashion Week, a TheMenStyle apresenta Special Milano, um projeto exclusivo composto por cinco editoriais inéditos que ocupam todas as capas do mês de julho. Fotografadas entre os cenários e a atmosfera da capital italiana da moda, as produções traduzem o encontro entre luxo, alfaiataria contemporânea e a energia das ruas que inspiram as principais maisons do mundo.
A série estreia com Jhona Burjack, em um editorial que celebra a elegância moderna através das lentes de Glauber Bassi, com styling de Deco Tajra, grooming de Marrom Motta e total look Louis Vuitton(na capa), complementado pelas joias de Marisa Clermann. Um projeto especial que transforma Milão no cenário de histórias visuais que refletem o presente da moda masculina.
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